Article+Checklist+for+Final+Exam

//The following articles belong to the "in" pile, subject to any restrictions noted. Articles that are "out" have simply been omitted.// --- Bachem, A. (1937) Various types of absolute pitch Balzano, G. J. (1986a) Music perception as detection of pitch-time constraints Balzano, G. J. (1986b) What are musical pitch and timbre? Bharucha, J. J., & Stoeckig, K. (1987) Priming of chords: Spreading activation or overlapping frequency spectra? ....//this paper is not "in", but it wouldn't hurt to know who this guy was, and what he did// Boatwright, H. (1965) Ives' quarter-tone impressions Brady, P. T. (1970) Fixed-scale mechanism of absolute pitch Bregman, A. S. (1990) The auditory scene //....figures/captions only// Cutting, J. E. (1977) The magical number two and the natural categories of speech and music Ives, C. (1925) Some "quarter tone" impressions Krumhansl, C. (1990) Quantifying tonal hierarchies and key distances Mathews, M., & Pierce, J. (1980) Harmony and nonharmonic partials McAdams, S., & Bregman, A. (1979) Hearing musical streams ....//figures/captions only// Miller, G. A. (1956) The magical number seven, plus or minus two: Some limits on our capacity for processing information Nettl, B. (1958) Transposition as a composition technique in folk and primitive music Rakowski, A. (1990) Intonation variants of musical intervals in isolation and in musical contexts Schulze, H. H. (1978) The detectability of local and global displacements in regular rhythmic patterns Sloboda, J., & Parker, D. (1985) Immediate recall of melodies Thackray, R. (1976) Measurement of perception of tonality Wertheimer, M. (1923) Principles of perceptual organization Wessel, D. (1979) Timbre space as a musical control structure White, B. W. (1960) Recognition of distorted melodies
 * Blackwood, E. (1982) Discovering the microtonal resources of the synthesizer

//Everyone is permitted to use (a) their article reflections, and (b) their class notes, during the final exam. To receive credit for doing article reflections, turn in an electronic (preferable) or hard copy after the final (i.e. by 2:30pm Monday).//